The choreographic can refer to choreography, and to the writing of dancing bodies, but it can also refer to modes of generating and circumscribing movement that do not register as dance, or as art works. We do not fully know what it can gesture towards, what might properly or improperly fall within its sphere; we are keen to keep the choreographic as an open question for the School.
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William Forsythe, one of the Artistic Faculty of the first cycle of the School, has written that choreography is “a curious and deceptive term. The word itself, like the processes it describes, is elusive, agile, and maddeningly unmanageable. To reduce choreography to a single definition is not to understand the most crucial of its mechanisms: to resist and reform previous conceptions of its definition.” William Forsythe, Choreographic Objects, 2011

Episode 1: Andros Zins-Browne and Prem Krishnamurthy

Episode 3: Arjuna Neuman and Denise Ferreira da Silva

Episode 17: Esperanza Collado and Marta Azparren

Episode 7: Ayesha Hameed and Sara Garzón

Episode 12: Kerem Gelebek and Soa Ratsifandrihana

Episode 13: Shu Lea Cheang, Dondon and Dahu

Episode 10: Helle Siljeholm and Simone Kenyon

Episode 18: Catalina Insignares and Maria Jerez

Episode 2: Chrysa Parkinson and Mette Edvardsen

Episode 4: Leo Boix and Pablo Bronstein

Episode 19: Erika Sprey and Mala Kline

Episode 16: Andrea Božić, Julia Willms and Victoria Pérez Royo

Episode 8: Asad Raza and Moriah Evans

Extended thoughts around the School

Episode 6: Behzad Khosravi Noori and Edgar Schmitz

Episode 11: Carolyn Lucas and Noé Soulier

Episode 9: Eda Sancakdar Onikinci and Mine Kaplangı

Episode 15: Tosh Basco and Wu Tsang

þ thorns þ

Episode 5: Counter Encounters